https://djredeyes.com Lauyan TOWeb en Thu, 15 May 2025 14:35:07 GMT link on the image for an extract: album released on 6 Avril 2023 https://djredeyes.com/index-en.html#nmpqlU6v https://djredeyes.com/index-en.html#nmpqlU6v The rest of the discography on Discogs<br><br><br><br>Albums<br>click on the image to listen to an extract<br> https://djredeyes.com/httpsdjredeyes-comdiscography.html#3PJEEGCY https://djredeyes.com/httpsdjredeyes-comdiscography.html#3PJEEGCY Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2008 https://djredeyes.com/httpsdjredeyes-comdiscography.html#LtbYtC0x https://djredeyes.com/httpsdjredeyes-comdiscography.html#LtbYtC0x Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2013 https://djredeyes.com/httpsdjredeyes-comdiscography.html#ZU5oaRNQ https://djredeyes.com/httpsdjredeyes-comdiscography.html#ZU5oaRNQ Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2017 https://djredeyes.com/httpsdjredeyes-comdiscography.html#o8Q0jmJ4 https://djredeyes.com/httpsdjredeyes-comdiscography.html#o8Q0jmJ4 Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2018 https://djredeyes.com/httpsdjredeyes-comdiscography.html#NU0duJFQ https://djredeyes.com/httpsdjredeyes-comdiscography.html#NU0duJFQ Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2020 https://djredeyes.com/httpsdjredeyes-comdiscography.html#q3ZZcsPR https://djredeyes.com/httpsdjredeyes-comdiscography.html#q3ZZcsPR Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2021 https://djredeyes.com/httpsdjredeyes-comdiscography.html#WwZxM3D8 https://djredeyes.com/httpsdjredeyes-comdiscography.html#WwZxM3D8 Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 2021 https://djredeyes.com/httpsdjredeyes-comdiscography.html#V3PKwtym https://djredeyes.com/httpsdjredeyes-comdiscography.html#V3PKwtym Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” 23 mars 2022<br> https://djredeyes.com/httpsdjredeyes-comdiscography.html#G2wPXqxB https://djredeyes.com/httpsdjredeyes-comdiscography.html#G2wPXqxB Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” Août 2022<br> https://djredeyes.com/httpsdjredeyes-comdiscography.html#cHJqXCkc https://djredeyes.com/httpsdjredeyes-comdiscography.html#cHJqXCkc Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” Novembre 2022 https://djredeyes.com/httpsdjredeyes-comdiscography.html#jwnyz92Q https://djredeyes.com/httpsdjredeyes-comdiscography.html#jwnyz92Q Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” Avril 2023 https://djredeyes.com/httpsdjredeyes-comdiscography.html#P1o0V6Cb https://djredeyes.com/httpsdjredeyes-comdiscography.html#P1o0V6Cb Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” paru le 14 mai 2025​ https://djredeyes.com/httpsdjredeyes-comdiscography.html#QOD4XUSj https://djredeyes.com/httpsdjredeyes-comdiscography.html#QOD4XUSj Ô Toulouse : Redeyes (who is still active and respected to this day) was the first to establish the country’s reputation for innovative drum & bass with his breakthrough releases on key UK labels like Fabio’s Creative Source and Bingo Beats. It wasn’t just a sound he represented, either. It was his city: Toulouse.“Toulouse is actually the place for drum & bass in France,” says Maxime Eimbee, a founder of the national drum & bass platform DNB France . Established in 2012 to bring the country’s disparate artists together and create a stronger community, DNB France launched an annual series in 2016 called French Plates as a way to showcase national talent.“Toulouse is the home, for sure,” agrees Do Brasil. “They’re cool to each other. They give each other tips, they have the parties where they get inspired. It’s a community.”Goulpié compares Toulouse to the UK city of Bristol: both have similar size populations, both seem to celebrate creativity over commerce, both have strong soundsystem cultures, and both are home to abnormal amounts of drum & bass talent. While Bristol’s nightclub map is sprawling, Toulouse is centred around one venue: Bikini , a famous club that acts as a hub for the city’s community. “The soundsystem in Bikini is just incredible,” says Monty, an artist on the label 1985. “It’s like you’re in the studio, but with 1200 other people. When you hear it on that system, it makes you want to hear more…as well as play it and make it.” https://djredeyes.com/yoyohttpsdjredeyes-comdjredeyes-com-en.html#5ihBYLuZ https://djredeyes.com/yoyohttpsdjredeyes-comdjredeyes-com-en.html#5ihBYLuZ https://djredeyes.com/yoyohttpsdjredeyes-comdjredeyes-com-en.html#hUUZtrD1 https://djredeyes.com/yoyohttpsdjredeyes-comdjredeyes-com-en.html#hUUZtrD1 https://djredeyes.com/yoyohttpsdjredeyes-comdjredeyes-com-en.html#PSzjdode https://djredeyes.com/yoyohttpsdjredeyes-comdjredeyes-com-en.html#PSzjdode To receive the dates of the Redeyes concerts for 2022, leave your details on the contact page. https://djredeyes.com/httpsdjredeyes-comconcerts-of-redeyes.html#KW4pvTPM https://djredeyes.com/httpsdjredeyes-comconcerts-of-redeyes.html#KW4pvTPM Concerts of Redeyes Although France might be considered peripheral in the Drum & Bass scene, Toulouse-based producer Redeyes has consistently been on the forefront of the genre since his breakthrough in 2006. Initially starting as a DJ, Julien Salvi soon found his way to the studio, fine-tuning his own blend of soulful music.When his first album Poetry In Motion was released in 2008 his international booking schedule took off, and also gained Redeyes the approval of the most renowned people in the Drum & Bass landscape. Since then he worked closely with Toulouse based imprintVandal for some time, releasing his second album Part Of Me in 2013. He then began his now undisputed affiliation with The North Quarter, becoming one of the label’s corner stone artists. After 2017’s “Blueprints EP” he released his multi-genre masterpiece “Broken Soul”in 2018. The album is a testament of his effortless ability to switch genres and tempos, and on it his signature soulful, highly detailed production style is on full display.Although his preferred tempo is provisionally labeled as Drum & Bass, this container concept is too narrow for Redeyes’ specific sound. Firmly embedded in Hip-Hop aesthetics and its music and culture, it is only natural his influences are also informed by Jazz, Soul,Funk and Dub. Using this palette in different ways, Redeyes has released on such diverse labels as NinjaTune, Tru Thoughts, Brownswood and The North Quarter. https://djredeyes.com/httpsdjredeyes-combooking-en.html#lIgKGqVl https://djredeyes.com/httpsdjredeyes-combooking-en.html#lIgKGqVl All bookings (excl. N.A.):danny@earth-agency.com<br>North American bookings:<br>chemynne@bassroutes.com <br>​<br> https://djredeyes.com/httpsdjredeyes-combooking-en.html#Ah1zU8VW https://djredeyes.com/httpsdjredeyes-combooking-en.html#Ah1zU8VW